Peaceful Reflections of Nature


Byron Villager – February 2016
Artist Alley – Featuring Michelle Haley
By Jim Kogelheide

Peaceful Reflections of Nature

Most people think about planes, trains and automobiles when conversations focus on topics like transportation, but when I stepped into the home of Byron artist Michele Haley I grew to appreciate that the best form of transportation is a painted canvas.  As I stepped nearer the small cluster of cedars that seemed to welcome me into a lazy late summer daydream, I could almost hear the scratching and pecking of feeding chickens coming from the farmyard in the distance.  This painting transported me through time as well, and my eight year old belly began to grumble as I had been stomping through these fields, chasing mice and frogs for several hours.  Was that my Aunt’s voice calling me in for lunch?


Michele Haley’s convictions for expressing herself in paints are neither politically nor socially motivated, although I believe that inadvertently she may be having a stronger influence in both of these arenas than she may realize.  “My goal, as an artist is rather simple,” Michele tells me as we laugh at a squirrel scurrying across her back porch.  “I paint landscapes as a way to explore thoughts of peace.  This practice is a form of meditation.”  The fact that her paintings can be found in several London restaurants and businesses including the Mayor’s office make me think that our community leaders are being offered rare moments for peaceful reflections of Nature.  Are these moments the key that is needed to influence their decisions in ways that will lead our community to become sustainable?

Painting landscapes that capture the raw beauty of London’s natural environments have taken Michele from the rolling hills surrounding Boler Mountain down to the meandering Thames River through Springbank Park, into Gibbons Park and throughout many rural settings throughout Southern Ontario.
Several years ago, Haley became a member of  the Gallery Painting Group and these experiences have challenged her to paint in new and exciting ways.  “Painting on location with a group of peers is a wonderful way to spend a morning,” reflects Haley as she talks to me about the challenges of time and the ever-changing nature of sunlight.  “We often spend our last half hour critiquing each others’ works with suggestions about composition, colour blending and other techniques.”

Haley believes that the creation of art is not so much about competing with other artists but more about finding opportunities to share and work together so that everyone involved can grow as a person and as an artist.  I asked her if this philosophy held true while she was teaching children’s art workshops in several of London’s Catholic French Schools and I gathered that these experiences were where this philosophy may have been partially born.  I also gained the insight that, “sharing and working together” was a trait that was a part of Haley’s childhood as she talked about her mother’s painting ambitions and how this lifestyle was adopted by both Michele and her two sisters.  As we ventured from room to room throughout Michele’s home (which I felt could have been aptly described as an historical art gallery), she spoke with as much passion about the other artists decorating her walls as she did about her own works.

Whether it’s painting in oils, acrylics, watercolours or pastels or whether it’s painting landscapes, still lifes, portraits or scenes from her lively imagination one elemental truth can be found within each of Michele Haley’s art creations and that truth is for each of us to discover in our own unique way.

To learn more about Michele Haley’s simply write to michelemhaley@gmail.com.


















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